MK ULTRA

Netflix has revealed a new teaser for the highly-anticipated third season of Marvel’s Daredevil revealing the premiere date for the new episodes! Look for the Man without Fear to return on October 19 and check out the new teaser in the player above.

The third season of Marvel’s Daredevil sees the return of Charlie Cox as Matt Murdock/Daredevil. Also returning for the series are Deborah Ann Woll as Karen Page, with Elden Henson as Foggy Nelson and Vincent D’Onofrio back as Wilson Fisk, a.k.a. The Kingpin. Newcomers to the series include Wilson Bethel (Hart of Dixie) as an FBI agent and Joanne Whalley (The Borgias, Gossip Girl, Wolf Hall) as Sister Maggie, a.k.a. Daredevil’s mother.

The 30-second teaser released earlier this month highlights the emotional darkness that Murdock is going through following the events of The Defenders, in which he was presumed dead following the implosion of the building sitting on top of the dragon skeleton, while he was actually recovering in an unknown location with a nun watching over him. Whatever has happened to the former lawyer in the time between has clearly taken a toll, as he’s now prepared to remain in the suit forever instead of returning to his old life.

Erik Oleson will be the new showrunner for the series, replacing Douglas Petrie and Marco Ramirez, who were co-showrunners on the second season of the series. Steven DeKnight was the showrunner in the inaugural season.

Marvel’s Daredevil Season 3 will premiere on Netflix in 2018. The third season of Marvel’s Daredevil is Executive Produced by series Oleson and Drew Goddard (The Cabin in the Woods), along with Jeph Loeb and Jim Chory. Marvel’s Daredevil is produced by Marvel Television in association with ABC Studios for Netflix.

Kenosha, Wisconsin, USA rockers Electric Revolution have released a new song titled “Burn It Down” for streaming.

Electric Revolution‘s “Story” on their Facebook page states in part (with slight edits):

“Electric Revolution was established on February 1st 2014 by drummer/vocalist Billie Pulera, guitarist Joe Gajan, bassist Steve Crucianelli, soon becoming one of Milwaukee/Chicago areas prominent hard rock power trios, playing many area shows in support of their self titled EP. With preparation for the group’s second musical effort, David Lawson was brought in as lead vocalist, In mid-December 2015, the group’s first full length LP “Character Is Power” was released. Two years after, Gajan and Crucianelli parted ways with Electric Revolution. Pulera and Lawson decided to press on with the Revolution 2018. With new members Brock Betz on guitar, and Chad Imler on bass, Electric Revolution is quickly becoming a hard rock favorite, and sharing the stage with many of classic rock’s royalty such as Pat Travers, Y&T, Punky Meadows and Frank Dimino of Angel, Wishbone Ash, Cheap Trick, Arena Rock Tribute Hair Ball, Gilby Clarke of Guns N’ Roses, Autograph just to name a few.”

Principal photography has begun on Warner Bros. Pictures’ Joker, starring Oscar nominee Joaquin Phoenix in the title role, alongside Oscar winner Robert De Niro, and directed, produced and co-written by Oscar nominee Todd Phillips.

Joker centers around the iconic arch nemesis and is an original, standalone story not seen before on the big screen. Phillips’ exploration of Arthur Fleck (Phoenix), a man disregarded by society, is not only a gritty character study, but also a broader cautionary tale.

The film also stars Zazie Beetz (Atlanta, Deadpool 2), Bill Camp (Red Sparrow, Molly’s Game), Frances Conroy (American Horror Story, Castle Rock), Brett Cullen (42, Narcos), Glenn Fleshler (Billions, Barry), Douglas Hodge (Red Sparrow, Penny Dreadful), Marc Maron (Maron, GLOW), Josh Pais (Motherless Brooklyn, Going in Style), and Shea Whigham (First Man, Kong: Skull Island).

Phillips (The Hangover trilogy) directs from a screenplay he co-wrote with writer Scott Silver (The Fighter), based on characters from DC. The film is being produced by Phillips and Bradley Cooper under their Joint Effort banner, and Emma Tillinger Koskoff. It is executive produced by Richard Baratta, Joseph Garner and Bruce Berman.

Behind the scenes, Phillips is joined by director of photography Lawrence Sher (Godzilla: King of the Monsters, The Hangover trilogy), production designer Mark Friedberg (Selma, The Amazing Spider-Man 2), editor Jeff Groth (War Dogs, The Hangover Part III), and Oscar-winning costume designer Mark Bridges (Phantom Thread, The Artist).

Joker is set for release October 4, 2019, and will be distributed worldwide by Warner Bros. Pictures.

RAMMSTEIN is putting the finishing touches on the orchestra and choir recordings for its upcoming album. The sessions for the German industrial metallers’ seventh disc have been taking place in Minsk, Belarus.

Last year, RAMMSTEIN guitarist Richard Kruspe said that the band’s follow-up to 2009’s “Liebe Ist Für Alle Da” album could be its last. “That’s a feeling — I can be wrong, but just at the moment, I feel like this is maybe the last [shot at making an album] we have, and I wanna give two hundred percent in that and make it as good as it can be,” he explained. “When I listen to the stuff, there’s so much potential, and I’m very pleased about what we do at the moment.”

Kruspe also talked about why it takes RAMMSTEIN so long to release new music compared to some other bands.

“There’s a different reason for everything, obviously,” he said. “First of all, the music industry has changed a lot. It used to be that the main income for bands would be making records and selling records. That has changed. Secondly, we always believed, and we didn’t have any other chances to believe in our show. In the beginning of RAMMSTEIN, nobody would play any songs on the radio, nobody would take our videos and show ’em on TV — we had a lot of trouble with that — so the only chance we had was to really focus on our live show. And we didn’t know at this point that it would have changed after [so many] years. Our focus was always playing live in the beginning.

“As a European, or a German band especially, you have to tour much more than other, American bands,” he continued. “They play their market and then they come to Europe and play maybe two or whatever, five or ten, shows — that’s it. So we always had to play the European market and go back to America, so we played much more, I guess. So we always had a different rhythm. And also, the other reason is that when we do a record, it takes forever, because, again, we’re six members that have six different opinions about everything and everyone in the band thinks that he’s on the right path. So it’s a lot of discussion and compromising — it takes a lot of time until we finish a record. But at the moment, we’re really in a situation that we don’t have to do it. We’re really kind of privileged to not having any pressure — there’s no record companies or managements or something; it’s only us that put pressure on us. And we’re at that point in our lives that we kind of feel that we wanna be sure that what we do is worth putting out. And we also wanna have the freedom to say, ‘You know what? That’s not good enough. Let’s just don’t do it.’ It’s a real privilege to do so, and I’m happy that we’re in this situation.”

In 2016 and 2017, RAMMSTEIN played a number of concerts where the band opened each show with a brand new song, presently only known as “Ramm 4”. The track contained lyrics that seemed to be a combination of various titles of previous RAMMSTEIN songs.

After several headlining tours of North America with the likes of such acts as CHELSEA WOLFE and DEATH GRIPS, MINISTRY will continue to support its critically acclaimed album “AmeriKKKant” with a full U.S. tour this November and December. Joining the American industrial juggernaut will be Franck Hueso, better known by his stage name Carpenter Brut, a French synthwave artist from Poitiers.

MINISTRY has just released a visualizer for the track “AmeriKKKa”, taken from “AmeriKKKant”. 

Produced by Al Jourgensen, recorded at Caribou Studios in Burbank, California and with striking artwork created by Mister Sam Shearon, the psychedelic, politically influenced and very much in-your-face “AmeriKKKant”‘s nine tracks are rooted in Jourgensen’s unadulterated anger for what he says is happening in America today: the waning respect for the U.S. Constitution, the growing acceptance of one’s opinions replacing facts, the decline of our leaders’ sense of morals, ethics and personal responsibility to the country and to their constituents, and the “mad man in the White House.”

In a 2017 interview with Rolling Stone magazine, Jourgensen stated about America’s 45th president: “Trump is just one pimple on the rash. And I found that out while doing the three [George W.] Bush albums. By the last album I did, ‘The Last Sucker’, it was not just about Bush being a sucker — he was an idiot, a puppet, a mouthpiece for of the powers that be. But I realized that I’m a sucker for getting so bent out of shape about Bush, because Bush was just one pimple in the rash. It’s the same thing with Trump. He’s detestable, of course, but how could anybody actually like this person? Unless you’re in the top one percent of spoiled, rich, misogynist man-toddlers who are entitled to getting anything they wanted. I mean, Trump’s in the new album, saying some stupid shit, but he’s not the focal point. I’m basically holding up a mirror to society and saying, ‘How have we allowed [ourselves] to be duped this way?'”

For decades, the powerhouse of psychotic sound that is MINISTRY has overcome millions with releases such as “Filth Pig”, “The Mind Is A Terrible Thing To Taste”, “Psalm 69”, “From Beer To Eternity”, and a flood of others. Since the ’80s, Jourgensen has been combining elements of synth pop, punk, metal and even dub in a way that is instantly recognizable and has influenced many other bands.

With timeless classics such as “Just One Fix”, “Thieves” and “Jesus Built My Hotrod”, MINISTRY is a one-of-a-kind musical pioneer.

With six Grammy nominations to date, over three million records sold, more than 2,000 live performances, and movie soundtrack work on “The Hurt Locker”, “Artificial Intelligence”, “Matrix”, “RoboCop” and “Saw”, MINISTRY has been contributing to the music industry for over three decades.

Photo by Dale Patrick Bennett for MK ULTRA Magazine

Following up classic lineup concerts in Los Angeles, Las Vegas, and their New Jersey homeland, the Original Misfits – once again featuring Glenn Danzig and Jerry Only sharing the stage – are returning to Chicago for one night only:
Saturday, April 27 at Allstate Arena.

RIOT FEST PRESALE
Tuesday, September 18 at 10:00 a.m. CDT
Ends Thursday, September 20 at 10:00 p.m. CDT

www1.ticketmaster.com/event/0400552DD8F298BF?utm_source=Riot+Fest+Newsletter&utm_campaign=a82bb1a245-misfits&utm_medium=email&utm_term=0_af918f16c4-a82bb1a245-134118977

Presale Password: RIOT FEST

GENERAL PUBLIC ONSALE
Friday, September 21 at 10:00 a.m. CDT

www1.ticketmaster.com/event/0400552DD8F298BF?utm_source=Riot+Fest+Newsletter&utm_campaign=a82bb1a245-misfits&utm_medium=email&utm_term=0_af918f16c4-a82bb1a245-134118977