MK Magazine News 2008

June 30, 2009

(One worth reporting) Jackson/Rowe Not the Biological Parents

SOURCE:  TMZ

We’ve learned Michael Jackson was not the biological father of any of his children. And Debbie Rowe is not the biological mother of the two kids she bore for Michael. All three children were conceived in vitro — outside the womb.

Multiple sources deeply connected to the births tell us Michael was not the sperm donor for any of his kids. Debbie’s eggs were not used. She was merely the surrogate, and paid well for her services in the births of Michael Jr. and Paris.

In the case of Prince Michael II (the youngest), we’re told the surrogate was never told of the identity of the “receiving parent” — Michael Jackson. Three days after Prince was born at Grossmont Hospital in San Diego County, Jackson’s lawyer came to the hospital to pick the baby up and deliver him to Michael.

We do not know if Jackson chose the sperm or egg donors or if he even knew who they were.

Although Rowe is not the biological mother, it’s not a slam dunk that she would lose a custody battle. This type of case has never been litigated in California courts. Since Rowe was married to Jackson when Michael Jr. and Paris were born, there’s a presumption that she’s the biological parent. That presumption can be rebutted by other evidence.

We know there are documents outlining the whole arrangement for the birth of all three kids. Nonetheless, it’s still an open issue with the courts.

 

Is anyone really surprised? I’ve only been saying this for years. - az

Cheap Trick – “The Latest” CD Rreview

SOURCE: www.classicrockmusicblog.com

In 2006 Cheap Trick released Rockford, and for me it was the year’s biggest musical surprise. Here was a complete collection of brilliant pop and rock songs that fans had been waiting for since Dream Police. Subsequent records hinted of the band’s capabilities, but the results seemed to fall short of potential. Then as 30-year music vets, they didn’t just come back knocking on the door with Rockford, they kicked it down, square. It was a remarkable comeback, but could they carry through again?

The Latest is, well, the latest Cheap Trick album – 13 tracks of original material that soar with hooks. It’s hard to overstate how good this record is. Every Cheap Trick strength rises to the surface, whether on the ’50’s-ish rock shuffle of “When The Lights Are Out,” the buzz-saw attack of “Sick Man Of Europe” or the dazzling Lennon-esque-pop of “Miracle,” the music unfolds, song by song, into glorious curtains of sound. “These Days” is a vocal harmony tour de force, driven home with a subtle yet thundering Tom Petersson bass line. “Everyday You Make Me Crazy” is a short, punchy rocker that could have come off Heaven Tonight; as could “California Girl,” a rollicking ride through Little Richard’s backyard with Bun E. Carlos laying down a monster beat.

Robin Zander has never sung better. While many of his contemporaries are drying up and losing range, Zander just gets stronger. From tender to street-tough, Zander is one of rock’s most versatile singers, and his performances here are among the best in a very good career. Check out his delicate delivery on the opening lullaby “Sleep Forever,” or “Miss Tomorrow,” where Zander’s subtle twang sounds like Dwight Yoakam fronting ELO.

Let us not forget Rick Nielsen, the songwriting and arranging wiz behind so many classic Trick tunes. His stamp is all over The Latest, and his gift for pure melody is spread across every song. Nobody writes tunes like “Everybody Knows” or “Alive” except Nielsen. I only hope that he saved something for later.

Cheap Trick got back – way back – in the game with Rockford; with The Latest, they are the game.

Jesse Jane and Riley Steele at Crobar This Weekend

                                      

 

Jesse Jane & Riley Steele Host Crobar Club’s Porn on the 4th Party!

On the evening of July 4, Digital Playground superstars Jesse Jane® and Riley Steele™ will host the anticipated Porn on the 4th Party at Chicago’s famous Crobar club.  Located at 1543 N. Kingsbury in Chicago, the Crobar party is the annual, super-soiree to help celebrate American’s sexual independence.  The patriotic bash starts at 9pm and gives partygoers a chance to meet Jesse and Riley, stars of Digital Playground’s best selling movies “Pirates II: Stagnetti’s Revenge” and “Nurses”.  The Crobar Chicago’s Gustavo Espinosa says, “The party has been a huge success over the last ten years, and no one is more popular and beloved than Jesse Jane.  This year has a good buzz with newcomer Riley Steele, which adds extra excitement to the event.  With the already tremendous response from the public, we are expecting another capacity year for the Porn on the 4th Party at Crobar!”

For more information about Crobar’s Porn on the 4th party with Jesse Jane and Riley Steele, visit www.crobar.com/main.php?city=chicago

Samantha Lewis, Digital Playground’s CEO says, “It makes perfect sense for Jesse and Riley to host a huge 4th of July party.  Adult entertainment continues to spread farther into mainstream culture.  The sales numbers show that Digital Playground’s higher quality adult movies are another great American pastime.”

The event will be Jesse Jane’s third year hosting the Porn on the 4th party, but the first time she is joined by Riley Steele, a rising star.  Each year Jesse Jane attracts well over a thousand people to the party.  She exclaims, “This is the best way in the world to celebrate the 4th of July!  Each year tons of great people come to say hi and ignite some hot fireworks on the dance floor with me.”  Riley Steele adds, “Jesse’s told me so much about this party, and I’m thrilled I get the chance to co-host with her.  It’s going to be insane!”

June 26, 2009

KISS, JANE’S ADDICTION, DOWN Confirmed For VOODOO EXPERIENCE

According to Billboard.com, KISS and JANE’S ADDICTION are among the headliners at the 11th annual Voodoo Experience music festival, taking place Halloween weekend in New Orleans.

More than 150 acts will play on eight stages in three separate areas — named Le Ritual, Le Flambeau and Le Carnival — around the city.

Other major acts on the Voodoo Experience bill include WOLFMOTHER, EAGLES OF DEATH METAL, MEAT PUPPETS and DOWN.

Fuse will provide on-air and online coverage of the Voodoo Experience and will broadcast a one-hour special on Nov. 7.

Weekend tickets are available for $169, while LOA Lounge VIP passes are priced $475. Voodoo organizers are absorbing any surcharges this year.

For more information, visit www.thevoodooexperience.com.

June 25, 2009

Farrah Fawcett Dies At 62

SOURCE:  Associated Press

LOS ANGELES—Farrah Fawcett, whose stunning looks and blinding smile made her a pop icon of the 1970s, has died. She was 62.

Her spokesman, Paul Bloch, says Fawcett died Thursday morning in a Santa Monica hospital. Her 2 1/2-year battle with cancer was depicted in the TV documentary “Farrah’s Story.”

She burst on the scene in 1976 as one-third of the crime-fighting trio in TV’s “Charlie’s Angeles.” A poster of her in a clingy swimsuit sold in the millions.

Farrah Was More Than a Beauty

SOURCE: MSNBC.com by Gael Fashingbauer Cooper

Two things will stay in my memory about the sad loss of Farrah Fawcett. One is the image of her grown son, Redmond O’Neal, fresh from jail, crawling into bed with his dying mom, as shown on the touching documentary “Farrah’s Story.” And the other is simply a line from an article published when her illness returned, where Ryan O’Neal reported that her famous hair was gone.

Those two items remind us that Farrah was more than a poster. She was a mom, and although Redmond’s troubles with drugs and the law are well-known, she was a mom who loved her son and surely tried to do the best by him.

And the loss of her hair … as anyone who’s had or loved someone with cancer knows, few things make you feel as naked as that one loss. Women, especially, set so much store by our hair. O’Neal said that the loss was especially hard for Farrah, because she probably had the most famous hair in the world. I thought about that statement and tried to think of anyone with more famous hair … Don King? Jennifer Aniston? The biblical Samson? No, Farrah’s hair probably wins. Thinking of her without those famed feathers is sobering, because for all her fame, she was one of us.

Even if you never saw a single role of Fawcett’s, if you were alive in the 1970s and 1980s, your life was influenced by her. Just pick up a high-school yearbook and see how many of your friends wore the Farrah ‘do. No one could do it as well as the original.

Farrah’s most remembered for her one season on “Charlie’s Angels,” but she later fought back against being considered just a pretty face. Her work in “The Burning Bed” and “Extremities” were all the more stunning because of her looks — we didn’t expect to see that beauty playing a serious role, and doing it well. For me, the most memorable Fawcett role is her portrayal of Diane Downs in the movie based on Ann Rule’s “Small Sacrifices.” Downs murdered one of her children and paralyzed another, and Fawcett somehow dived into that horrible crime and made Downs a three-dimensional person. Unnerving and unforgivable, but three-dimensional.

I was one of the millions who sat rapt on my couch to watch “Farrah’s Story,” the documentary about her cancer battle. Her time in hospitals was a jolting reminder for all of us of our own individual losses and struggles, the times we’ve spent in those same generic hospital rooms with those same wall-mounted TVs, wearing plastic bracelets and drinking water out of styrofoam cups. The show reminded us of how we take our own health and that of our family for granted until the ball drops and there we are, back in those antiseptic-smelling hallways waiting for doctors to tell us news that could either lift us up or smash our hearts.

You didn’t have to have a hit television show or a world-famous hairdo or a zillion-selling poster to relate to Farrah’s struggle. In her life she entertained us, and in her death, she reminded us of what’s really important. Carl Sandburg once wrote, “Death sends a radiogram every day: When I want you I’ll drop in — and then one day he comes with a master-key and lets himself in and says: We’ll go now.” No one can lock death out, not even an Angel.

June 24, 2009

‘Ancient Gonzo Wisdom’ (Hunter S. Thompson) Is Now Available

Ancient Gonzo Wisdom: Interviews with Hunter S. Thompson
Edited by Anita Thompson
Paperback, 432 pages
Da Capo Press
List Price: $18.00
www.dacapopress.com

Four years after the death of Dr. Hunter S. Thompson in 2005, his widow, Anita Thompson, is releasing Ancient Gonzo Wisdom: Interviews with Hunter S. Thompson, including many interviews that were never before available. After the many books and films about his life, his fans are now given a chance to share personal thoughts and laughs with him.

Anita Thompson brings the legendary Gonzo back to life with all his quick-witted, sarcastic, and downright genius charm. Starting chronologically in 1967, the interviews include selections from Rolling Stone, High Times, Esquire, Playboy and NPR’s All Things Considered.

An introduction by Christopher Hitchens, a contributing editor of Vanity Fair, provides an in-depth look into the world of Gonzo journalism, a subjective first-person narrative style created by Thompson, and the man himself through interview snippets and personal experiences at Owl Farm, Thompson’s ranch in Colorado.

Throughout the interviews, some of Thompson’s most well-known and controversial points are highlighted, including his stint in Hells Angels, his belief of the death of the American Dream, and his attempt at running for sheriff of Aspen. Thompson’s sly sarcasm beats the interviewer over the head — and the readers.

Before his passing, Thompson had been working closely with assistant editor Tim Mohr of Playboy through a series of interviews. Concluding this book is a compilation of Thompson’s unique outlook on freedom, driving, courage, karma, demolition, drugs, and many other aspects of life.

The interviews bring Hunter Stockton Thompson back to life as a character with an inhuman amount of knowledge, persuasion, and passion. Fans who followed him through his life, and those who know little about the writer, can now sit down and enjoy a conversation with him.

SPINAL TAP: ‘Back From The Dead’ First-Week Sales/Details

 
“Back From The Dead”, the first new album in almost two decades from England’s “loudest heavy metal band” SPINAL TAP, sold 10,000 coies in the United States in its first week of release to debut at position No. 52 on The Billboard 200 chart. Released on June 16, the follow-up to 1992’s “Break Like The Wind” sees TAP members David St. Hubbins, Nigel Tufnel and Derek Smalls unearth their long-self-suppressed studio versions of the classic songs from the movie “This is Spinal Tap”, as well as six new additional tracks and an exclusive hour-long accompanying DVD featuring a track-by-track video commentary by the band. “Back From The Dead” also features guest appearances by Phil Collen (DEF LEPPARD), Keith Emerson, John Mayer and Steve Vai.

“This album title says it all. We’re back from the dead. But we weren’t dead. But we definitely are back,” proclaimed Hubbins.

“Back From The Dead” is a deluxe CD/DVD package aggressively priced and containing 19 original SPINAL TAP songs, a one-hour DVD and unique pop-up diorama package that unveils three 12-inch action figures (courtesy of Sideshow Collectibles) of the band along with a proportionally sized Stonehenge.

“Back From The Dead” is destined to be a collector’s item, especially among collectors. The LP includes the newly interpreted TAP classics “Hell Hole”, “Tonight I’m Gonna Rock You Tonight”, “Heavy Duty”, “Rock ‘n’ Roll Creation”, “America”, “Cups and Cakes”, “Big Bottom”, “Sex Farm”, “Stonehenge”, “Gimme Some Money” and “(Listen to the) Flower People”.

“While the movie and soundtrack accurately represented our stage sound at the time, the studio versions of these songs on this album represent the cosmic maturation of the material, within a digital context. Also, they’re louder,” stated Smalls.

The new songs recorded specifically for “Back From The Dead” include “Warmer Than Hell”, “Short and Sweet”, “Celtic Blues”, “Rock ‘n’ Roll Nightmare”, “Back From The Dead” and “the first known studio recording of the soon-to-be-long-forgotten ‘Jazz Oddyssey’.”

“Back From The Dead” was produced by CJ Vanston, who arranged and played keyboards on the band’s “Break Like The Wind” album and was musical director for their 1992, 2000 and 2007 tours. As a film composer, he has produced music for Christopher Guest’s movies “Waiting For Guffman”, “Best In Show”, “A Mighty Wind” and “For Your Consideration”.

The “Back From The Dead” deluxe CD/DVD package is being distributed completely outside of the traditional major label infrastructure. Retail distribution and marketing of physical CDs will be handled by Artist2Market (A2M) while digital marketing and distribution will be serviced by INgrooves.

“Back From The Dead” track listing:

01. Tonight I’m Gonna Rock You Tonight
02. Back From The Dead
03. (Funky) Sex Farm
04. Rock ‘n’ Roll Creation
05. Jazz Oddyssey I
06. Gimme Some Money
07. Rock ‘n’ Roll Nightmare
08. Heavy Duty
09. America
10. Jazz Oddyssey II
11. (Listen to the) Flower People (Reggae Stylee)
12. Hell Hole
13. Big Bottom
14. Celtics Blues
15. Jazz Oddyssey III
16. Warmer Than Hell
17. Stonehenge
18. Short and Sweet
19. Cups and Cakes

In addition to the above 19 songs, fans of SPINAL TAP can find a free download for the previously unreleased “Saucy Jack” from Hubbins’ unfinished musical about Jack the Ripper on the band’s web site, www.spinaltap.com. There are also rumors that there will be exclusive versions of “Sex Farm” and “(Listen to the) Flower People” available on certain digital outlets. And if that is not enough, the band will be releasing a very special 11-inch, limited-edition vinyl version of “Back From The Dead”.

Def Leppard, Poison, Cheap Trick Deliver Big Riffs at Tour Kick-Off

           Robin Zander and Rick Nielson    

Cheap Trick performs on June 23, 2009 in Camden, New Jersey

SOURCE: Rollingstone.com Photograph by Oliver J. Lopena for RollingStone.com

It was more than 20 years ago that hair metal taught the kids to tease-and-spray, and since then high-heeled boys and their sticky metallic hooks have become fodder for love-lorn reality shows and slick Broadway musicals. And the answers to some of the pressing questions of our day — Is the Leppard still Def? Is Poison still nothin’ but a good time? Is the Trick still Cheap? — will be answered at an amphitheater near you when the 40-date Def Leppard/Poison/Cheap Trick tour, which opened last night at near-sold out Susquehana Bank Center in Camden, New Jersey, rolls into a town near you. The answers are, in order: Yes, yes, and depends if you sit out on the lawn or pony up top-dollar for ringside seating.

First up was Cheap Trick, who have never really left the road since they went live at Budokan, and their bracing blend of Beatlesque hooks and high voltage riffs still rocks righteously. Cheap Trick rocked the early arrivals with a short, sharp set that mixed classics like “I Want You To Want Me” and “Dream Police” with super-fresh new material like “These Days” and “Sick Man Of Europe” from their just-released album, The Latest. Robin Zanders, smartly dressed in a black-tie-and-vest with his long blonde locks tied back in a ninja pony tail, hit all the sky-high notes, and guitarist Rick Nielson, rocking a burgundy tux and his patented big-billed ball cap, showered the crowd with guitar picks and fat-bottomed riffs.

Next up was Poison who rocked their hair extensions off, as Bret Michaels and Co. put on a flame-throwing, smoke-blowing, drumstick-twirling set that incorporated all the hits: “Unskinny Bop,” “I Want Action” and “Nothin’ But A Good Time.” Everyone in the band seemed super-psyched to be back in the saddle again, especially Michaels, who said, in deference to his tour partners, that he was looking forward to getting “completely hammered and enjoying some great music from the side of the stage.” He went on to explain how “Every Rose Has Its Thorn” was written in the men’s room of a Dallas laundromat. “That’s why I had to do three seasons of Rock Of Love — my best love song was written in the bathroom!”

Topping off the night was a stormy, stomping set by headliners Def Leppard who trolled through their ’80s hits — a picture-perfect “Photograph,” a semi-acoustic “Bringin’ On The Heartache” and a slamming, set-closing “Rock Of Ages”  — like the working class punters they once were before Pyromania went mega-platinum. The one real surprise was a crunchy cover of David Essex’s “Rock On.” But the highlight of the Lep’s set was undoubtedly the stripper-anthem “Pour Some Sugar On Me”, which the band laid down with silhouetted images of gyrating pole-workers projected on the big screen behind them. A couple of jokesters, with a taste for the literal, ran through the crowd clutching boxes of granulated sugar, baptizing themselves and anyone nearby with the sweet, sticky stuff. Every rose has its thorn, indeed.

Cheap Trick Set List:

“On Top of the World”
“I Want You to Want Me”
“These Days”
“She’s Tight”
“Sick Man of Europe”
“If You Want My Love”
“Dream Police”
“The Flame”
“Surrender”

Poison Set List:

“Look What the Cat Dragged In”
“I Want Action”
“Ride The Wind”
“I Won’t Forget You”
“Your Mama Don’t Dance”
“Fallen Angel”
“Something to Believe In”
“Unskinny Bop”
“Every Rose”
“Talk Dirty To Me”
“Nothin’ But A Good Time”

Def Leppard Set List:

“Rock! Rock! Til You Drop”
“Rocket”
“Let’s Get Rocked”
“Too Late for Love”
“Nine Lives”
“Love Bites”
“Rock On”
“Two Steps Behind”
“Bringin’ on the Heartbreak”
“Switch 625″
“Hysteria”
“Animal”
“Armageddon It”
“Photograph”
“Pour Some Sugar on Me”
“Rock of Ages”

June 23, 2009

No Jail Time For Cop Who Pummeled Bartender

SOURCE: CLTV.com

See the video here: www.chicagobreakingnews.com/2009/06/cop-to-be-sentenced-for-beating-bartender.html
Chicago police officer avoided jail time today for pummeling a woman who was tending bar, even though prosecutors produced a previously unseen video showing him beating someone else at the bar hours earlier.

Anthony Abbate was sentenced to two years probation for beating Karolina Obrycka in February of 2007. He could have gotten up to five years for the attack, which was captured by the bar’s security camera and shown around the world.

Judge John Fleming said he decided against jail because he did not believe the crime was serious enough and throwing Abbate behind bars would not be a deterrent to others.

“If I believed that sending Anthony Abbate to prison would stop people from getting drunk and hitting other people, I’d sentence him to the maximum,” the judge said. “But I don’t believe that is the case.”

Fleming also imposed a curfew of 8 p.m. to 6 a.m. for Abbate, who declined to say anything to the judge before he was sentenced. The cop must also attend anger management classes, undergo alcohol evaluation and perform 130 hours of community service.

Fleming said he would like Abbate to perform the service in a homeless shelter.

In arguing for prison time, prosecutors produced a previously unseen video from the bar hours before Obrycka was attacked showing Abbate beating someone else.

In the video, a man in the bar can be seen speaking with Abbate for a few seconds, after which Abbate grabs the man, slams him against a wall and then throws him across the room. The man crashes to the floor and into the bar stools, and Abbate stands over him as the man tries to shimmy away on his back.

Assistant State’s Atty. LuAnn Snow said the attack was one of three unprovoked assaults in the span of 6 hours, a violent window into “a day in the life of Anthony Abbate.” Authorities did not charge Abbate with the other two alleged attacks.

Snow said it was “by the grace of God” that Obrycka wasn’t more severely injured.

In a brief statement to the court, Obrycka said the attack has left her fearful, has affected her marriage and left her unable to trust others.

“It was terrifying to be attacked by such a big man,” Obrycka told Fleming. “I tried to protect myself, but I was helpless.”

As time passed, “I thought about the beating a lot,” she said. “I had nightmares about it, I try to avoid thinking about the beating, but I was helpless again… I pulled away from people close to me. I was irritable and angry, [and] I was fearful of other people. If someone walked behind me, I would jump and unexpected noises made me jump, too.

“The world didn’t feel like a safe place anymore,” Obrycka said. “I also started to have anxiety attacks which I never had before. When something would remind me of the beating, I would start to feel nauseated, then vomit. My head hurt, my hands became numb and then I would start to sweat and shake.”

“My world still feels changed because of this beating,” she continued. “I have a hard time trusting people, including my husband. Our marriage is very difficult. I’m still irritable and suspicious… I’m working very hard to recover from this beating, but it is harder than I could ever imagine.”

Before handing down his sentence, Fleming said “any adult in the world” would know better than to act as Abbate did, but said he did not believe that a term of imprisonment was appropriate.

He noted that Abbate had no prior criminal history, and his crime did not involve a handful of other factors that under the law would justify a sentence greater than probation.

“He didn’t cause serious harm — the doctor said it was bumps and bruises,” Fleming said as he delineated the reasons why probation was the correct sentence.

He said the widespread media attention was immaterial in reaching his decision.

“The fact that this 30-second video has probably been seen by more people than any other crime in the world does not make it a greater crime,” Fleming said.

Fleming asked Abbate if he wanted to say anything but Abbate declined. The officer left the courthouse with his father and his fiancé, refusing to comment to reporters.

Obrycka said outside the courtroom that she wished Abbate had said he was sorry.

“I’m very disappointed that he didn’t apologize for what he did,” she said, adding that she was also disappointed in the sentence he received.

Abbate had faced several charges, including intimidation, conspiracy and communicating with a witness and official misconduct. But prosecutors dismissed most of them before the trial began.

Fleming dismissed the two counts of official misconduct and found Abbate guilty of aggravated battery.

The police department is seeking to have Abbate fired, and the Independent Police Review Authority has recommended that he be dismissed, according to Supt. Jody Weis.  The case is up before the Police Board on July 7.

“I don’t think anyone who behaves like that should be a police officer,” Weis said after the sentencing.

But Weis said he was not going to recommend the officer’s case to federal authorities because he was off-duty at the time. “I would be shocked if the Department of Justice pursued [the case]” he said.

Mark P. Donahue, head of the Fraternal Order of Police, had little comment about the sentence except to say, “He had his day in court, and like it or not, the results are what they are.”

Kid Rock has hooked up with Rick Rubin for new album


SOURCE: Billboard.com

Kid Rock has shifted gears on his next album, hooking up with producer Rick Rubin and telling Billboard.com that “we won’t release anything until we both agree that every song on it is great.”

Rock had previously fast-tracked the record and predicted having it out in the fourth quarter of this year, with a single possibly dropping this summer. But after the double-platinum showing of 2007’s “Rock N Roll Jesus” and the chart-topping success of the single “All Summer Long,” Rock says he’s anxious to maintain that momentum with what he does next.

“It’s hard to follow big records with another big record,” he notes. “I had most of (the next album) in the stages where I could go in and finish it up. Then Rick said, ‘I look at these like demos, and we should go back in with the right players and re-cut everything…To really solidify into the big leagues, I think we have to do it this way.’ And I was like, ‘I’m open to anything.’”
 
Rock says he has 18-20 songs ready for the album that he and Rubin will discuss and “prioritize” during the coming week, while Rock and his Twisted Brown Trucker Band are in Florida preparing for their summer tour. “Right now we’re just looking at where the record is and what’s gonna round out the record,” he explains. “Do we need a big record? Do we need this or that?’ I think we’ve got everything; it’s just a matter of zeroing in on it now.”

Rock says he will have a small recording rig on the road with him in order to fine-tune any of the existing songs or write new material. He and Rubin will also be eyeballing potential studio time and might even “go rent a cool place somewhere and set up there for two or three weeks.”
 

“It’s kind of weird,” Rock notes, “’cause I’ve never written a record and then gone into the studio. I’ve always written the record as I’ve been in the studio.”

Fans might get a chance to hear some of the new material at shows this summer, too. Rock says he plans to have Twisted Brown Trucker rehearse the songs at sound checks and have them ready to insert into the shows.

“There’s so many things you can learn from going out and playing your record live, things you might’ve done differently,” explains Rock, who starts the tour Friday in West Palm Beach, Fla., and will play a two-night stand July 17-18 at Detroit’s Comerica Park baseball stadium. “So we’re going to at least start playing them all in sound check and screwing around with them every day. If nothing else, at least when we go into the studio we’ll have a feel for playing these songs live.”

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