MK Magazine News 2008

August 28, 2009

New The Doors Box Set Coming

Rhino is releasing a new boxset for The Doors which documents Jim Morrison’s last performance in New York City before his death. Here is the info on the sex which hits stores on November 10th.

The latest addition to the band’s acclaimed series of archival concert releases, this 6-disc collection contains all four of The Doors’ performances - in their entirety - recorded in 1970 at the Felt Forum in New York City.

Recorded just a few weeks before the release of Morrison Hotel - these concerts find Jim Morrison, John Densmore, Robby Krieger, and Ray Manzarek locked in tight as they deliver smoking takes on soon-to-be-classics from their forthcoming album, including “Roadhouse Blues,” “Peace Frog,” “Ship Of Fools,” and “Maggie M’Gill.” The shows also feature a number of driving blues covers, such as Bo Diddley’s “Who Do You Love,” Howlin’ Wolf’s “Back Door Man,” and John Lee Hooker’s “Crawling King Snake.” “Those were the bluesy songs we always used to do,” Krieger says. “We probably hadn’t done some of them in years, but we had resurrected them for these shows.”

In 1969, the year prior to these shows, The Doors became one of the first rock bands to play New York City’s Madison Square Garden. When they returned in 1970, Densmore says they chose to play the Felt Forum, a smaller venue at the Garden. “It was more intimate, and you could feel the audience more,” he says. “There was more interaction, and the acoustics were much better, because it was designed for music.”

Manzarek hails these shows as a return to the group’s early days, when they used to play a club called London Fog. “I mean, talk about going back to basics. We used to do four sets a night at the London Fog, and we only had a small block of songs written up to that time. So we would do other people’s material. And in New York, it was like the same thing as the London Fog. We’ve got four shows to play here, two sets tonight, two sets tomorrow night. Let’s play whatever we want! Let’s just go!”

Go they did. Along with a mix of then-unheard new songs and old covers, the band also tapped into its 1967, self-titled debut, peppering the set lists with signature songs such as “Break On Through (To The Other Side),” “Soul Kitchen,” “The End,” and “Light My Fire,” The Doors’ first #1 hit.

For the final show of the Felt Forum stand, the band was joined onstage by two guests - The Lovin’ Spoonful’s John Sebastian (who played harmonica on the studio version of “Roadhouse Blues”) and drummer Dallas Taylor, who’d played on Crosby, Stills & Nash’s debut. Sebastian sat in for “Rock Me” and was joined by Taylor for “Going To N.Y. Blues” and “Maggie M’Gill.”

Fans will be blown away by the crisp sound found on LIVE IN NEW YORK. All four shows were mixed and mastered by the band’s longtime engineer, Bruce Botnick, who recorded a number of shows from The Doors’ 1970 tour on multi-track tape for the Absolutely Live album. While most of the music contained on LIVE IN NEW YORK is unreleased, a few songs (and portions of songs) surfaced in 1970 on Absolutely Live and in 1997 on Box Set.

*Previously unreleased

Naked Raygun Go Vinyl And Hit The Road

Naked Raygun announce east coast dates and a 7″ vinyl series this fall. They recently made their first trip into a recording studio in over a decade (this is the first new material since 1992 and first recording since 1997), tracking at Transient Sound in Chicago.

The songs will be released as a series of 7″ records, the first of which is available for presale at RiotFest.org – fans will receive exclusive free stuff and mp3 download card with early purchase. The band plans East Coast dates in September; will headline Riot Fest Chicago in October before getting down to work on their new album, due in 2010.

The tour hits cities Naked Raygun hasn’t played in almost twenty years; joining them on the tour are Philadelphia hardcore stars Paint It Black and Chicago’s own Shot Baker.

Easily the most influential band bursting forth from the initial Chicago punk rock explosion, Naked Raygun also holds the distinction of being the longest running. When many of their peers were either breaking up or going metal in the mid-to-late 1980s, Naked Raygun soldiered on with their trademark sound, combining infectious vocal melodies with muscular guitar and a precision rhythm section. Echoes of the golden era of Raygun sound can be heard in punk rock circles worldwide.

The band broke up in 1992 and save for a one-off reunion in 1997 to celebrate the release of the Last of the Demohicans collection, stayed inactive while band members tended to family business and occasionally other musical projects such as The Bomb and Pegboy.

In the fall of 2006 drummer Eric Spicer began to get the itch to play the old songs again and gathered the guys together again to reunite for Riot Fest in Chicago. The overwhelming response from the sold out crowd of four thousand prompted Naked Raygun to re-form permanently with their final lineup of Spicer, Bill Stephens on guitar, Pierre Kezdy on bass and Jeff Pezzati on vocals.

Naked Raygun returned to action by playing shows across the Midwest and embarking on their first West Coast tour in over a decade with Bay Area legends the Swingin’ Utters. The band also released their first DVD via Riot Fest Records, entitled “What Poor Gods We Do Make.” The CD/DVD package combined a documentary covering the lifespan of the band with performances from their sold out performance at Riot Fest 2006.

During a recent two night stand at the House of Blues in Chicago, Naked Raygun debuted their first new songs in seventeen years. Met with a reaction of surprise and elation from the slam dancing crowd, both songs embody the classic “Chicago Sound” that Naked Raygun first defined more than twenty years ago.

Naked Raygun East Coast Tour

September 9, 2009
The Mideast (Cambridge, MA)
with Paint it Black, Shot Baker
18+ - tickets $15.00 – Showtime TBA
http://www.mideastclub.com/

September 10, 2009
First Unitarian Church (Philadelphia, PA)
with Paint It Black, Shot Baker
7:30pm - $12.00 – all ages
http://www.r5productions.com/

September 11, 2009
Ottobar (Baltimore, MD)
with Paint It Black, Shot Baker
Doors 7pm Show 8pm - $15.00adv $17.00 doors – all ages
www.ottobar.com

September 12, 2009
The Music Hall of Williamsburg (Brooklyn, NY)
with Paint It Black, Shot Baker
Show 8pm, $15.00 – 16 and over
http://www.musichallofwilliamsburg.com/search

September 13, 2009
Maxwell’s (Hoboken, NJ)
with Paint It Black, Shot Baker
Show 8pm Tickets $15.00 adv $17.00 doors
http://www.maxwellsnj.com/

August 27, 2009

MOTÖRHEAD Tour Kicks Off Tomorrow/MATT SORUM To Play Drums For MOTÖRHEAD

Mikkey Dee – Drums  8/28-9/07

Matt Sorum – Drums 9/08 Washington, DC  thru 9/24 Kansas City

On the one-year anniversary of the release of Motörizer, and the day prior to embarking on a North American tour, MOTÖRHEAD frontman Lemmy Kilmister spoke exclusively with Aaron Small from BraveWords.com.

It was recently announced that Motörhead drummer Mikkey Dee will only partake in the first and final dates of this 29 city trek. Reason being, he’ll be filming season one of Kändisdjungeln, Sweden’s version of I’m A Celebrity… Get Me Of Here! “I can’t wait to see that,” chuckles Lemmy. “He’s in the Malaysian jungle, and he doesn’t like bugs. And I think they have to be parachuted into the fucking thing – and he doesn’t like heights either. So it’s definitely going to be worth watching.”

The question beckons, who will Mikkey’s temporary replacement be? Lemmy answers, “Matt Sorum” of THE CULT, GUNS N’ ROSES, VELVET REVOLVER and CAMP FREDDY. Despite Sorum’s impressive resume, he wasn’t Lemmy’s first choice. “No. I asked Dave Grohl (FOO FIGHTERS, NIRVANA) first, but he couldn’t do it cause he’s doing that thing with McCARTNEY.” Although Matt is only a couple of weeks away from joining Motörhead on stage, surprisingly he hasn’t rehearsed with the band. “No, not yet. He’s going to have to learn some bits of it from the live DVDs. He’ll come out for a couple of days before he starts to watch Mikkey to get the idea. He’ll be alright, he’s a professional.”

It seems rather strange, Mikkey missing the majority of a tour to be part of a reality TV show. Lemmy clarifies the situation. “Well he already had it booked you see. The tour came late. He didn’t tell anybody that he’d declared himself for this thing. Otherwise I would have insisted on him doing the tour, obviously. But seeing as it was a prior obligation, if you say you’ll be there… I think he’s already had the fucking shots, the anti-tropical disease shots.”

But as far as reality TV goes, Lemmy thinks, “it’s the worst shit that’s ever been on TV! Fucking Big Brother – people watch people sleep. They actually watch people sleep! And they’ve got the nerve to put it on TV. I think they should be struck off the fucking register just for putting it on. It’s garbage, beyond all reason. But who am I? What do I know? I’m sure there’s a plan behind it. If we can make them watch people sleep, they’ll be easier to govern.”

Another recent headline grabber was English model and singer Samantha Fox stating that she wanted Lemmy to give her away at her (lesbian) wedding. “I know. It’s funny that. I haven’t seen her for years. But if I’m in the area I’ll do it. She’s a great girl. She hasn’t actually asked me yet. She’s asked the press. I guess she knew it would get to me. I don’t know when she’s doing it or where?” Initial reports state Siberia. “Oh well that lets me out.”

Always keeping his sights on the future, Lemmy is already looking forward to the next Motörhead studio album. “We’re going to do a new one in January.” As far as current ideas for the disc go… “Nothing. We always write under the knife. It works for us.” Next year’s effort will be a big one though as it’s the 20th studio album, marking the 35th anniversary of the band. Knocking down the accolades, Lemmy brings reality to the forefront. “Motörizer is the first time we’ve ever been in the US Hot 100.” Hopefully he’ll chart higher in 2010. “Well we’re really good you know. We never let the fans down. We never sold out. We always did what we do best.”

2010 is Motörhead’s 35th anniversary. Will anything special be done in recognition? “I don’t think so. It’s only the 35th anniversary of Motörhead. I’ve been in musiclonger; it’s my 43rd (anniversary) or something like that. Our management will probably think up something embarrassing for us to do.” There’s already a Lemmy action figure; maybe we’ll get a Lemmy bobble-head. “Oh, that would be fucking awful wouldn’t it?”

For this upcoming tour, Motörhead has tapped REVEREND HORTON HEAT and NASHVILLE PUSSY as the opening acts. In fact, Lemmy chose those bands personally. “It’s pretty good eh? I’ve been on stage with The Reverend a couple of times and he’s on my solo album too, so that was easy enough. And we toured twice with Nashville Pussy in 2000 and 2001; it was excellent! They’re the ideal band to warm up for Motörhead – rock out with your cock out.” And it doesn’t hurt that Ruyter (Suys, NP guitarist) usually ends the show in her underwear. “Yeah, that’s kind of a bad habit. I don’t know why she keeps it all on?”

Pulling another folder from the what-not-to-expect-next file is Lemmy: The Movie. “I was told “next year. But they’ve said next year for the last two years. Don’t hold your breath.” Lemmy briefly describes having a camera crew follow him around. “They were out for two tours with us, that’s it. Getting live footage, talking to the crew and the rest of the band. I’m sure I’m going to be fucking horrified by some of it.”

In spite of the advance hype about his film, Lemmy often scratches his head and wonders, why the fuck do they want to make a movie about me? “Yeah, all the time. Almost constantly since they broached the subject. I don’t get it. I don’t find myself very interesting, but obviously somebody does.”

So Lemmy will be the guest of honour at the theatrical premiere? “I’m not going in cinemas – you can’t smoke in there. I fuckin’ hate ‘em. I used to go to the cinema when I was a kid. But they’ve changed. Now your knees are up under your chin, it’s not much fun. If you kiss somebody in the back row, somebody’ll come with a fucking flashlight and throw you out - encouraging minors to misbehave or some fucking thing.”

Once more returning to the imminent stage show, Lemmy discusses how elaborate it will be, in terms of lights and pyro. “It’s going to be lots of lights, but not pyros really. Phil (Campbell, guitar) always forgets where they are. It can be a nasty shock, like James Hetfield of METALLICA. We ran out of money for that stuff a long time ago. We’re only making slightly more now. I’m not looking to spend a lot on a flash and a bang and a whimper. I think the music ought to do it for you and if it doesn’t, we’re doing it wrong.”

As far as the music goes, there are 19 albums to choose from. “Um… it’s a surprise. The old stuff and the new stuff.” For those curious about last year’s Motörizer… “Just a couple. We’ve got to put the old stuff in. Kids want to hear it. We’ve got so much old stuff; it’s a bit tricky choosing. So we fight over it and it comes out.”

ACE FREHLEY ‘Anomaly’ Packaging

Above you can see a photo of the packaging for “Anomaly”, the fifth solo album from legendary KISS guitarist Ace Frehley. Due on September 15 via Ace’s own Bronx Born Records, with Rocket Science providing a full label service platform in the U.S., the CD was produced and recorded in Westchester County, New York between 2007 and 2009 and was mixed in Los Angeles.

“Anomaly” official track listing:

01. Foxy & Free
02. Outer Space
03. Pain In The Neck
04. Fox On The Run
05. Genghis Khan
06. Too Many Faces
07. Change The World
08. Space Bear
09. A Little Below The Angels
10. Sister
11. It’s A Great Life
12. Fractured Quantum
13. The Return of Space Bear (Dedicated to Tom Snyder) (iTunes exclusive)

Frehley last year spent time on the road fronting a band that featured second guitarist Derrek Hawkins, drummer Scot Coogan (ex-BRIDES OF DESTRUCTION) and bassist Anthony Esposito (ex-LYNCH MOB).

Frehley will perform at the Viper Room in West Hollywood, California on Saturday, September 12 during the Sunset Strip Music Festival.

RevCo Hitting The Road


 
Revolting Cocks Gear up to take over North America this fall on their nationwide LubRiCaTouR and set to release Sex-O MiXXX-O, a collection of stellar remixes from their March Sex-O Olympic-O CD.

In 2006, After a hiatus of nearly a decade, Al Jourgensen resurrected his delinquent side project The Revolting Cocks with the star-studded release Cocked & Loaded, which included appearances by members of ZZ Top, Cheap Trick, the Butthole Surfers, and Jello Biafra, and subsequently in March 2009, Jourgensen’s 13th Planet indie imprint released RevCo’s Sex-O Olympic-O, featuring the incarnation of RevCo’s live touring musicians from the hugely successful 2006 MasterBaTouR, for which The Revolting Cocks served as direct support to Ministry.

Now, for the first time in over 20 years, RevCo (p/k/a Revolting Cocks) hits the road this Fall 2009 on their first North American headline tour – the LuBriCaTouR.

“RevCo started with 3 core members which included myself, Luc Van Acker, and Richard 23 from Front 242. There were three of us, and now in true RevCo style the ever revolving cast of RevCo includes some fresh new young blood whom I think capture the true essence and spirit of being ‘a Revolting Cock,’ if you will.” And as evidenced by SEX-O OLYMPIC-O, the three lads that Jourgensen has chosen to be part of the RevCo line up include singer Josh Bradford, guitarist Sin Quirin, and keyboardist / electronic specialist Clayton Worbeck – all of whom are certainly qualified for their newly appointed promotions.

They will be joined by musicians Aaron Rossi (Ministry, Prong, John5) on drums and Murv Douglas on bass (Opus Dai | Weapons X | Powerman 5000). And as in tyrpical RevCo style we can expect a selection of Industrial and Punk Rock Icons to join the circus for special last-minute appearances as it travels throughout North America.

September 10 - El Paso, TX - Club 101
September 12 - Albuquerque, NM - Sunshine Theater
September 13 - Denver, CO - Gothic Theater
September 14 - Ft Collins, CO - Aggie Theater
September 15 - Salt Lake, UT - Club Vegas
September 17 - Coeur d’Alene, ID - The Grail
September 18 - Seattle, WA - Studio Seven
September 19 - Vancouver, BC - Rickshaw Theatre
September 20 - Portland, OR - Dante’s
September 23 - San Francisco, CA - The Fillmore
September 24 - Orangevale, CA - The Boardwalk
September 25 - San Diego, CA - Brick By Brick
September 26 - Tempe, AZ - The Clubhouse
September 27 - Los Angeles, CA - House of Blues
October 1 - San Antonio, TX - White Rabbit
October 2 - Oklahoma City, OK - Diamond Ballroom
October 3 - Kansas City, MO - The Beaumont
October 4 - St. Louis, MO - The Firebird
October 6 - Chicago, IL - House of Blues
October 7 - Detroit, MI - Blondie’s
October 8 - Cleveland, OH - Peabody’s
October 9 - St. Thomas, ON - Coolz Warehouse
October 10 - Ottawa, ON - Babylon
October 11 - Montreal, QC - Foufounes Electriques
October 12 - Toronto, ON - Reverb
October 14 - Pittsburgh, PA - Rex Theater
October 15 - Allentown, PA - Croc Rock
October 16 - Worcester, MA - The Palladium
October 17 - New York, NY - Irving Plaza
October 18 - Baltimore, MD - Ram’s Head Live
October 20 - Jacksonville, FL - Jackrabbits
October 21 - Orlando, FL - Firestone
October 22 - Fort Lauderdale, FL - Revolution
October 23 - St. Petersburg, FL - The State Theatre
October 24 - Charlotte, NC - Tremont Music Hall
October 25 - New Orleans, LA - House of Blues
October 27- Houston, TX – Warehouse Live
October 29 - Fort Worth, TX - Ridglea Theater
October 30 - Austin, TX - Emo’s

August 26, 2009

SKINNY PUPPY ‘IN SOLVENT SEE’ TOUR 2009 FULL LISTING OF CONFIRMED DATES / VENUES

Oct 30  Glasshouse  Pomona CA
Nov 1  Regency Center @ The Grand  San Francisco CA
Nov 2  Wonder Ballroom  Portland OR
Nov 4  Showbox  Seattle WA
Nov 6  Murray Theater  Salt Lake City UT
Nov 7  Ogden Theater  Denver CO
Nov 9  House Of Blues  Chicago IL
Nov 10  House Of Blues  Cleveland OH
Nov 11  Royal Oaks Music Theater  Detroit MI
Nov 13  Phoenix Concert Theater  Toronto ONT
Nov 14  Club Soda  Montreal QC
Nov 15  The Palladium  Worcester MA
Nov 17  Nokia Theater  New York NY
Nov 19  The Trocadero Philadelphia PA
Nov 20  Tremont Music Hall  Charlotte NC
Nov 21  The Norva  Norfolk VA
Nov 22  9:30 Club Washington DC
Nov 24  Center Stage  Atlanta GA
Nov 25  Firestone  Orlando FL
Nov 27  Revolution  Ft Lauderdale FL
Nov 28  Jannus Landing  St Petersburg FL
Nov 29  House Of Blues  New Orleans LA
Dec 1  Warehouse  Houston TX
Dec 2  Emo’s  Austin TX
Dec 3  Granada Theater  Dallas TX
Dec 5  Sunshine Theater  Albuquerque NM
Dec 6  Marquee Theater  Tempe AZ
Dec 8  House Of Blues  Las Vegas NV
Dec 9  House Of Blues  San Diego CA
Dec 10  Club Nokia  Los Angeles CA

The Big Tease: Burlesque Grows in Popularity

photo by Dan Locke for AZ ULTRA Productions and MK Magazine

 –AP
 
CHICAGO — In the Depression-era days of Gypsy Rose Lee, burlesque dancing was about as naughty, and as nude, as it got in public. The emphasis was on the tease more than the strip, until Playboy and harder-core pornography came along in the 1950s.

Now burlesque is back with festivals and club performances, from Amsterdam to Alabama. It’s seen as a chance for some bawdy fun and, some would say, even a little empowerment for the performers who are often amateurs with other day jobs.

But its growing visibility, in mainstream clubs and theaters, is also sparking a debate, and some confusion about what it is and whether it’s appropriate in those settings.

Is it performance art, as some contend? Or is it, as others say, just a (very) thinly veiled excuse to strip in public, even if most performers end a routine in pasties and G-strings?

“The performers are interested in being sexy, but not being pornographic,” says Rachel Shteir, a DePaul University professor who’s written books about burlesque. “They’re trying to strike this middle ground. But that’s very difficult to do in our culture.”

A few recent cases highlight that point.

Earlier this year in New York, burlesque performer Tara Lee Heffner filed a lawsuit against the Learning Annex for referring to her as a “porn star” in an online ad for classes she was teaching. She claimed the label damaged her reputation.

This summer in London, one club owner also shut down long-standing burlesque shows after being told he’d have to purchase an adult entertainment license, something generally reserved for more traditional strip clubs with dancers who make use of laps and poles.

“There’s no doubt that some men watch burlesque and find it as sexy as other forms of entertainment,” says Alex Proud, whose club in the city’s Camden borough bears his last name. “But at the end of the day, the naked bit lasts about three seconds.”

And many audiences of burlesque shows are filled with women, who often focus as much on the costumes, glamour and dancing as anything.

“True burlesque is more of a kitschy Vaudeville act than anything else. It’s all about the art of the striptease, a cheeky and titillating performance that can induce chuckles, cheers and longing sighs all at once,” says Katie Laird, a burlesque fan in Houston.

“Performance is the key word here, not naked gyrations for dirty dollar bills.”

At recent shows produced in Chicago by burlesque dancer Michelle L’amour,[pictured] performers donned large feathered fans, in the tradition of Depression-era starlet Sally Rand, and costumes that ranged from a scantily clad secretary to a 1950s housewife. The midnight performances at the city’s historic Music Box Theatre also included slapstick comedy acts and a campy magic show, as well as a couple of male “boylesque” performers.

“Even my super-conservative grandmother is totally OK with it,” one performer, Cherokee Rose, said of her work with L’amour’s troupe, the Chicago Starlets. Still, the 28-year-old Chicagoan preferred to use her stage name, rather than her real name, because she’s looking for a job in the psychology field. “I wish people in my field were more accepting of this,” she says. “But sadly, they’re not.”

Most of L’amour’s troupe are professionals or students who started by taking classes with L’amour and moved onto the big stage when she considered them ready. For them, burlesque is a hobby.

The 29-year-old L’amour is, in fact, one of a few dancers who’s made a living at burlesque since its comeback in the last decade. Other professionals include Jo Weldon, a.k.a. “Jo Boobs,” and Dita Von Teese, who regularly makes red-carpet appearances and who’s become a bit of a fashion icon.

Theirs is a style that is more “classic” burlesque, focussed more on subtlety, artfulness and humor. But, L’amour says, it’s no wonder people are confused about what burlesque is when you have harder-core strip clubs featuring burlesque performances or even pop music acts, such as the Pussycat Dolls, referring to themselves as a “burlesque troupes.” Singers Cher and Christina Aguilera also are set to star in a movie titled “Burlesque.”

“It’s become a bit of a pitch word to hook people’s interest,” L’amour says.

In this latest rebirth, even many women can’t decide what they think of burlesque.

“Is it porn? Is it feminist? I would hesitate to say either,” says Shteir, the DePaul professor, whose books include “Striptease: The Untold History of the Girlie Show” and “Gypsy: The Art of the Tease.”

Others say it depends on the context.

“As a feminist, I do not assume that, when women engage in performances that highlight their bodies or sexuality, this is necessarily degrading,” says Barbara Scott Winkler, head of the women’s studies department at Southern Oregon University.

For their part, performers talk about the camaraderie they feel with one another. Often, they create and oversee the shows themselves and make their own costumes.

“It’s about embracing the female form, no matter its size,” says Ruby Rose, founding member of London’s Burlesque Women’s Institute. She led a street protest of the Camden Council’s adult entertainment license requirement and is in talks to get them to reconsider.

In a statement, the council said its only concern was nudity. And that’s an issue that’s not likely to disappear anytime soon, says Molly Crabapple, a New York artist with ties to the burlesque community.

“When you do anything that involves nudity, even performance art, many people want to stigmatize it,” says Crabapple, who founded a group of burlesque-influenced drawing clubs called Dr. Sketchy’s Anti-Art School.

However it’s defined or maligned, Proud, the club owner in London, says he thinks burlesque makes life more interesting — though he has no plan to buy an adult entertainment license.

“Nightclubs should still be a little risque or on the edge. If they’re not, you can just stay home and drink a bottle of wine,” he says.

Penny Starr Jr. Tomorrow Night In Chicago at Blue Bayou

August 25, 2009

THE IRISH PIPER TURNS 39 TODAY

HAPPY BIRTHDAY MICH GANSHERT !!!!
 
“You’ve been so much more than a friend to me, and I think you know that. It’s been a great friendship so far, filled with so many laughs and adventures and much much more. You’re a real brother to me and thanks for making me part of you family.” - az
For your birthday, here’s WHAM BAM PAM!

Alex Zander to Host Sci-Fi Strip-Tacular Sept 19!!!!!!

                                      

AZ and 7 burlesque performers are taping an episode on JBTV this week.

Check back for updates where and when it will air.

 

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